It’s becoming more and more difficult for investors, journalists, and scholars to get information about China. How does this affect doing business there? And what can we learn from the story of a hijacked train in Shandong in 1923?
What’s the difference between propaganda and art? A conversation with Alison Friedman, the executive and artistic director for Carolina Performing Arts, as she gears up to present the Philadelphia Orchestra on the 50th anniversary of its groundbreaking tour to China.
From 2007 to 2015, she covered breaking news from Beijing for the Guardian newspaper. Then she went home to the U.K., and wrote a book about the Cultural Revolution and its lingering effects, which are still felt in China today.
BBC correspondent John Sudworth left China in 2021 after years of harassment for his reporting on human rights abuses in Xinjiang and COVID. His latest project is a podcast on the origin of COVID-19, and it’s a fascinating look into one of the most polarizing issues of our time.
A conversation with Chun Han Wong, author of the new book “Party of One: The Rise of Xi Jinping and China's Superpower Future,” about life, business, and journalism in Xi’s China.
National security fears are the ‘last refuge of the scoundrel,’ and the U.S. should compete with China using its traditional strengths: openness and competition. That’s the view of Clark Packard of the Cato Institute.
Shirley Leung was a reporter for the critical Hong Kong tabloid Apple Daily until the territory’s new National Security Law killed it. But she’s back on the Hong Kong reporting beat with Photon Media, a Taiwan-based startup dedicated to covering Hong Kong local news.
China is becoming a black box to investors, business people, and journalists, as the government makes it increasingly difficult to access economic and corporate information. Lingling Wei of the Wall Street Journal knows all about it.
This is a conversation with Muyi Xiao. In a different era for media in China, she wrote features and took photographs for Tencent News. Now she’s a China reporter on the Visual Investigations team at The New York Times.
Jo Lusby manages intellectual property for foreign books, games, and other creative products in China and is a keen observer of what people in China want to read, listen to, watch, and play.